Art lovers will have an excellent reason to attend the Grahamstown National Arts Festival this year. Artists exhibiting at the 2008 National Arts Festival include Obie Oberholzer, Andrew Vester and the Standard Bank Young Artist award winner  Nontsikelelo ‘Lolo’ Veleko.

Visitors to the festival will be able to tour the exhibitions through a series of walkabout tours, during which visitors can discuss the work with each other and an arts expert.

Wonderland, a dazzling, high-energy collection of photographs by Nontsikelelo ‘Lolo’ Veleko, captures the essence of Jozi street style. The 2008 Standard Bank Young Artist Award Winner uses her camera like a novelist uses words to lure us into a “through-the-looking-glass” world where young urbanites use fashion savvy to create fictions of their own identity.

Obie Oberholzer’s photographic exhibition, The Hotazel Years, takes viewers beyond the mainstream into the quirky backwoods of South Africa.

Contemporary dance is the focus of a large faculty of photographers working in Germany. A selection of their work makes an awesome exhibition titled Frozen in Time, presented courtesy of the Goethe Institute.

Family snapshots and old letters were the starting point for Maureen de Jager, whose exhibition - In Sepia - uses images and texts engraved in rusting steel to reflect on the mutability of memory. There are also white sculptures, gradually stained by rust growing on the steel embedded in them.

Texts merged with visual messages are the unifying discourse for Lefoko, Igama, Dibu, Word – a collection of work by four artists practising in Botswana. Each has drawn from his or her own semantic background – Setswana, Xhosa and North American poetry are among the words that are entwined in the work.

Time is the starting point for curators of two other exhibitions on the programme: Decade and Andrew Verster Past/Present. Decade features highlights of ten years of acquisitions for the Sanlam Art Collection – since 1997 some 544 works have been added to this representative archive of South African Art. To mark Sanlam’s 90th anniversary, 83 works ranging in time from 1896 have been selected for the Festival show. The Andrew Verster exhibition (curated by Carol Brown and the artist) charts the creativity and playfulness of a master. Works include paintings, drawings, costumes and his latest wax works on tissue.

Curation plays a key role in Art from the Ground Up, a body of work by Eastern Cape Artists, originally selected for an invitational show in Germany. The contrasts in response to the geographic, spiritual, philosophical and social dimensions of the Eastern Cape are fascinating. Art craft by other Eastern Cape talents are on display and for sale in a special marquee at the Village Green, and this year there are a number of demonstrations as well.

Another chance to track process is presented by Production Marks, curated by Brenton Maart. Celebrating line drawing as a starting point for most design, the exhibition considers tools and the marks they make – from the humble pencil to the high-end computer. Sketches and plans are exhibited with models and photographs of final products – sculpture, furniture and other functional artefacts.

In addition to the main programme exhibitions, there is a plethora of visual art shows on the Fringe ensuring that the National Arts Festival is a feast for the eye.

Don’t miss the exhibitions on the 2008 Festival programme – pick up a booking kit from Computicket or selected Standard Bank branches and come on down to Grahamstown for a fun-filled Festival experience. Visit www.nationalartsfestival.co.za or call 046 603 1103 for more info.

Graham Springer has lived and worked in the wilderness of Northern Botswana since 2001, working mostly as a film-maker and photographer. Filming and Photographing in this incredible place allows him to combine a strong creative drive with a love of this special African wilderness.

“Creative photography has captivated me since I was a young boy. I try not to take ’standard wildlife’ photographs. I try instead to create interesting and creative images that have artistic photographic credibility, independent of subject matter. I try also, as much as one ever can, to capture the ineffable spirit of the wilderness in which I live. The result, I hope, is a collection of engaging images that convey my love for this African wilderness and that they inspire some sense of spirit of place in those that see them.”

Graham’s images are intended as fine art prints. All photographs are shot on film (35mm and 645 medium format) and then scanned using a state of the art high resolution scanner. A certain amount of mandatory digital work on the images is required after scanning but other than that, and careful cropping and colour tinting, the images are manipulated as little as possible. The images are then printed onto a heavy, finely textured cotton based art paper using an inkjet printer with special pigment inks. The only reason the images are digitised at all is because of the creative options inkjet printing processes provide. They are still however very much original photographic images.

ArtVault is proud to present his works please have a look at Graham’s collection